Tag: competition

  • All in the family: How Call Me Mother stands out in a sea of drag competition shows

    All in the family: How Call Me Mother stands out in a sea of drag competition shows

    Featuring drag artists of all genders from across Canada, the series pushes the genre in a familial direction.

    The mammoth that is the Drag Race franchise has become a genre of television to itself as of late. Currently, there are two Drag Race editions airing concurrently (the third season of U.K. and the second of Canada’s very own) with a third on the way next week (the latest spinoff, this time from Italy). But the RuPaul Industrial Complex finally has a bit of competition.

    On the heels of Shudder’s spooky The Boulet Brothers’ Dragula (currently in its fourth season of naming “The World’s Next Drag Supermonster”) and HBO’s non-competitive We’re Here (which is in its second season and just aired an episode set in Selma, Alabama that deserves all the awards), OutTV recently debuted the Canadian-produced Call Me Mother. The show, which was filmed in North Bay, Ontario earlier this year, stands out as a drag competition series for being both fully inclusive to all drag artists and for being centred on drag family.

    “I had some hesitations about going on a reality TV competition, despite the fact that I would obviously be a judge this time rather than a contestant,” says Miss Peppermint, a Drag Race alum who is one of the show’s three titular mothers. “But [the producers] let me know that the approach would be different than other drag reality competitions that we’ve seen before in that they wanted to be inclusive as possible, and that it really is about that family element. So once I heard that idea, I said yes immediately.”

    “I was really excited for the opportunity to be able to show that, of course, drag can be cutthroat and competitive — but it can also be loving and nurturing.”

    Read more on cbc.ca.

  • Fugitive Acquires 40 Episodes, Plus Format, Of Mom Vs Matchmaker

    Fugitive Acquires 40 Episodes, Plus Format, Of Mom Vs Matchmaker

    26th March 2019: In addition to its content development, financing and executive producing activities, Fugitive is to distribute selected finished content from its partners and can now announce its first major acquisition – 40 x 30’ episodes of Mom vs Matchmaker. This entertaining and long-running competitive dating series is produced by Go Button Media for Canada’s OUTtv.

    Fugitive is also pre-selling an additional 10 episodes for
    the show’s fifth season and will be representing the format internationally.

    Mom vs Matchmaker

    Mom vs Matchmaker sees celebrity matchmaker Carmelia Ray
    face off against a fierce and fiery mom in each episode, in a bid to see who
    can find the best date for the mom’s son or daughter. Highly competitive, the
    cupids make their choices from a pool of contenders and then put their
    candidates through a ‘woo camp’, training them on all the essentials to help
    romance to blossom – everything from wardrobe, to physical contact, culture and
    manners. The offspring then takes the matchmaker’s and their mom’s contenders
    on sizzling dates and reveals at the end which one most got sparks flying.

    Fugitive’s Merrily Ross comments: “With big characters and
    hilarious moments in the woo camps, plus a mix of unlikely matches and
    fledgling romances, Mom vs Matchmaker is a highly entertaining and standout
    dating show for a broad audience – and makes a great co-viewing programme for
    parents with older children. We are delighted to be working with the talented
    team at Go Button Media and look forward to representing not only the existing
    four seasons of this show, but also the format, which can be readily adapted
    for broadcasters worldwide.”

    Natasha Ryan, Executive Producer and the show’s creator from Go Button Media adds: “Fugitive’s enthusiasm for Mom vs Matchmaker made them a natural partner for our show. Merrily and her partner Anthony Kimble are not only adept salespeople with significant contacts internationally, they also have extensive experience with formats and a clear understanding of how to develop and grow programme brands.”

    Read more on RealScreen.com